Compass Coaching Project 2018 with Dominic Walsh
Set in a nurturing and inspiring environment, Compass Coaching Project offers tools to assist aspiring and working professionals as they navigate toward their goals in today’s dance climate.
Navigating your way through the US model of second companies, studio companies, open-ended apprenticeships and trainees, can be tricky. This workshop is designed to invest in the individual’s particular needs, which are often neglected as dancers spend one or more years floating between “student” and “professional”. This program is also meant to benefit professionals who feel they have plateaued, who are looking for a change, or who need inspiration.
When: June 4-16, 2018
Cap: 20 dancers
Age: 17 years +
· Video of 5-10 minutes of ballet class (en pointe, if pointe work is a strength); classical/neo-classical variation and/or contemporary solo (either performance or in-studio)
· Résumé including training, performance experience, and professional experience (if applicable)
· Cover letter explaining where you are in your dance training or career. What would a program like this help you accomplish?
- Monday–Friday, 9:30am-6:00pm
- Half-day on Saturday to include one on one sessions with Dominic Walsh and Julia Wilkinson Manley
Program will include:
- Classical technique
- Pas de deux/partnering
- Kinesiology and Nutrition
- Alexander technique and motion therapy
- One on one coaching sessions
- A performance will conclude the session including a new creation by Dominic Walsh
Photo credit Bamberg Fine Art Photography Whim W’Him
In 2002, Dominic Walsh, Principal Dancer and Choreographer with Houston Ballet, founded his contemporary ballet company, Dominic Walsh Dance Theater. After the company’s debut in February 2003, Dance Magazine declared, “At last Houston has a contemporary dance company on par with its symphony, opera and ballet companies.” The company racked up accolades and honors and built a stellar reputation for taking the techniques and skills of classical ballet into groundbreaking territory. The company’s repertoire featured inventive works by Walsh and such iconic choreographers as Mats Ek, Jiří Kylián, Mauro Bigonzetti, and Matthew Bourne. In 2015 Walsh became a proud father and closed DWDT after 12 seasons. In December he launched his 200 page photo book he created with company photographer, Gabriella Nissen, titled simply “Dominic Walsh Dance Theater”.
Walsh was born in Elgin, Illinois in 1971 and started his training at an early age with Lisa Boehm, Frank Boehm, Warren Conover, and Larry Long in Chicago. He joined Houston Ballet in 1989, was promoted to Soloist in 1993, and Principal Dancer by 1996. Walsh danced throughout Asia, Europe, and North America receiving praise from international critics including Anna Kisselgoff of the New York Times who called him “impressively virtuosic” and the New York Post’s Clive Barnes who described him as “excellent and exuberant.” Walsh has danced all the major classics including Swan Lake, Giselle, Don Quixote, Romeo & Juliet, and Manon with international stars such as Nina Ananiashvili and Alessandra Ferri.
Walsh continues to receive commissions to set and create works nationally and internationally including Teatro di San Carlo, Naples, Italy, Medea (2009) and The Sleeping Beauty (2011); Ballet Florida, Bello (2006); Ballet Quad Cities, The Nutcracker (2008); American Ballet Theatre Studio Company, Alchemy (2004); London Studio Centre, Sub-Luminus (2010); Asami Maki Ballet Tokyo, À Bientot (2006); New National Theatre, Tokyo, Orfeo ed Euridice (2007) and Wolfgang for Webb (2010). After the premiere of Orfeo ed Euridice, critic Ryoko Sasaki wrote: “It is a sophisticated excellent work with meditation and emotion moderately blended with each other.” And critic Akiko Tachiki said: “The choreography in which techniques of classic ballet and contemporary dance fuse was full of deformations and twists, and sparkled with unique originality.” Walsh served as the Resident Choreographer for Sarasota Ballet of Florida, creating/staging Wolfgang for Webb (2008), The Trilogy (2009), and Time out of Line (2011), and travels throughout the U.S. and abroad as a guest teacher and coach for both companies and academies. He recently returned to Japan in Oct. 2015 to stage his Afternoon of a Faun. Walsh also stages the works of his longtime mentor, Ben Stevenson when not creating or staging his own works. The Carl Jung center has shown interest in Walsh’s works and creative process and he has given lectures at Houston’s Jung Center, most recently on his Camille Claudel, titled The Suppression of the Powerful Feminine. He has written for various publications on dance, and was a regular columnist for Origin Magazine. Walsh made his film debut as a co-director at the Brussels Short Film Festival in Spring 2015 with Malta Kano, TX. Walsh is also a costume designer and will be designing a new production of Stevenson’s Cinderella in September 2018.